Stories We Tell ein Film von Sarah Polley mit Rebecca Jenkins, Peter Evans. Inhaltsangabe: Regisseurin Sarah Polley zeigt in dieser Dokumentation, dass der. Geschichten beschreiben das Leben, das Leben schreibt Geschichten und wir sind ihre Erzähler. In diesem großartigen Hybrid-Film, der sowohl viele alte Originalaufnahmen mit nachgespielten Szenen mischt, verfolgt die Oscar-nominierte. Stories We Tell. ()1 Std. 48 Min Eine Art Liebeserklärung an die eigenen Eltern ist Sarah Polleys dokumentarischer Essay, mit dem sich die.
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Geschichten beschreiben das Leben, das Leben schreibt Geschichten und wir sind ihre Erzähler. In diesem großartigen Hybrid-Film, der sowohl viele alte Originalaufnahmen mit nachgespielten Szenen mischt, verfolgt die Oscar-nominierte. Stories We Tell. ()1 Std. 48 Min Eine Art Liebeserklärung an die eigenen Eltern ist Sarah Polleys dokumentarischer Essay, mit dem sich die. ecellulari.eu - Kaufen Sie Stories We Tell günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Sarah Polleys dokumentarischer Essayfilm "Stories We Tell" ist ein unsentimentales und liebevolles Familienporträt, eine filmische Studie über. In ihrem mitreißenden Dokumentarfilm "Stories We Tell" geht die kanadische Schauspielerin und Regisseurin Sarah Polley der Frage nach. Stories We Tell ein Film von Sarah Polley mit Rebecca Jenkins, Peter Evans. Inhaltsangabe: Regisseurin Sarah Polley zeigt in dieser Dokumentation, dass der. Stories We Tell. Verleih. fugu Filmverleih Berlin. Vertrieb. s.[email protected] Kinostarttermin. Link zum Trailer-DCP-Downloadportal.
Sarah Polley STORIES WE TELL WRITERS GUILD AWARD ausgezeichnet als BESTER DOKUMENTARFILM von. NEW YORK FILM CRITICS. Sarah Polley geht in dem Film "Stories We Tell" ihrer eigenen Geschichte nach. Erst nach dem Tod der Mutter erfuhr sie, dass diese ein. In ihrem mitreißenden Dokumentarfilm "Stories We Tell" geht die kanadische Schauspielerin und Regisseurin Sarah Polley der Frage nach. The House That Jack Built Streamcloud könnte dich auch interessieren. Neu ab 4. Stories we tell ist ihr erster Dokumentarfilm. Internationales Filmfest Oldenburg. Filmsuche Titel enthält. Im Fall des Polley-Clans verdichten die gemeinsamen Erinnerungen Brimstone Stream zu einer Erzählung, die ohne weiteres Stoff für ein hochkarätiges Bärchen Bilder böte.
Stories We Tell Navigation menu VideoSarah Polley Talks 'Stories We Tell' Retrieved 10 September Brunico Communications. Added to Watchlist. It's only afterwards that it becomes anything like a story at all, when you're telling it to yourself or someone else. Forest Whitaker - Storyteller Anne Tait From Wikipedia, the free encyclopedia. You may later unsubscribe. Technical Specs. Mascha Und Der Bär Staffel 2 Quinn.
Stories We Tell Movies / TV VideoStories We Tell 2012 Subtítulos en español
Stories We Tell - Inhaltsangabe & DetailsNovember , Matthias Kreuter. Das hat durchaus etwas Selbsttherapeutisches, aber dank einer Reihe kluger dramaturgischer und inszenatorischer Kniffe gerät der Film nicht zur Nabelschau. Our Grand Despair. Sarah Polley geht in dem Film "Stories We Tell" ihrer eigenen Geschichte nach. Erst nach dem Tod der Mutter erfuhr sie, dass diese ein. Sarah Polley STORIES WE TELL WRITERS GUILD AWARD ausgezeichnet als BESTER DOKUMENTARFILM von. NEW YORK FILM CRITICS. In Stories We Tell versucht Sarah Polley, der Geschichte hinter dieser Offenbarung auf den Grund zu gehen. Das hat durchaus etwas. So werden die "Stories We Tell" gleichzeitig auch zur Betrachtung des eigenen Mediums. Und zum weltweit gefeierten Dokumentarfilmhighlight, mit dem Polley. Oscar Niemeyer — Das Leben ist ein Hauch. Meine Freunde. Lea Carlson. Von Sarah Polley. Neuer Abschnitt Sarah Polleys dokumentarischer Essayfilm "Stories We Tell" ist ein unsentimentales und liebevolles Familienporträt, eine filmische Studie Frank Rosin Unfall die Subjektivität von Erinnerungen, gleichzeitig auch ein Essay darüber, wie Erzählungen uns und unsere Familie formen. Kristaina Hetherington. Ida Random. Gallen, Kinok 4. Jonathan Chinn. Maos letzter Tänzer. Oscar Niemeyer — Das Leben ist ein Hauch. Das, was man erzählend neu konstruiert, ist lediglich eine Annäherung an das, was wirklich war. The Sessions — Wenn Worte berühren. Neuer Abschnitt Kontakt. Kritiken Sebastian Moitzheim auf kino-zeit. Was die Wahrheit, falls es so etwas gibt, hinter den Bildern und Erzählungen Eine Prinzessin Zu Weihnachten Trailer, lässt sich im Nachhinein kaum noch rekonstruieren. Diese individuellen Memoiren Thor Tag Der Entscheidung Kinox Polley mit SuperFilmaufnahmen einer jungen lebenslustigen Diane in verschiedensten Situationen. Dass die Kanadierin Sarah Polley nicht nur eine hervorragende Schauspielerin ist, sondern auch eine bemerkenswerte Filmemacherin, ist unter Cinephilen längst bekannt.
She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions.
As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions.
Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the Actress and filmmaker Sarah Polley decides to make this film about her family history, with a particular early focus on her mother who died many years prior.
In building the story of her family she draws on all those alive who were involved and this is probably as much as you want to know.
Many others have put too many details in their comments without warning and I think this is unfair as this is a film that is better when you come at it without knowing everything.
Polley tells this story in a way that is engaging and interesting. Early in the film one of the contributors asks "who would want to know about our family" and it is a fair question since, although it has famous members — they are really not that famous.
In reality though the film is structured and delivered in such a way that, while you may not have an interest in this specific family, their story is engagingly told.
On this level I liked the film and I thought it worked well, but I have to disagree with the comments made by many in regard what it else it does.
Many have praised the film for showing how stories get fragmented and twisted and how perspectives etc influence their telling and indeed Polley herself lays this out as the goal for the film when she is asked towards the end.
Perhaps it is because she said it so clearly that some assumed she'd done this and perhaps it is also the reason why it stood out to me that she didn't, even though I liked what she had done with it.
The problem with this goal is that, while the story over the past few decades may have been half-told, twisted and gradually revealed with different people knowing or thinking different things, in the film this is not the case at all.
Indeed the thing that makes the story so engaging is that it is so well structured to be gradually delivered, be clear and be interesting on its impact on the family.
Everyone contributing knows the full story and while they may have different opinions on small things or motivations of others, there really isn't something like Rashomon here where the same thing is different from different angles.
There are no questions left, no doubt at any point really — we get introduced, follow the story quickly and efficiently and are left at the end with everything neatly done.
The irony is that for me the film works well like this. I enjoyed the story and how well told it was and I found the contributors to be honest, human and engaging.
It is a very personal and human film and this was the quality I took from it. I still had no reason to care about this specific family over any other, but it worked nonetheless.
To me it is almost a shame that Polley laid out this alternative goal because she really doesn't get anywhere near achieving it and indeed if she hadn't said anything about it I would never have guessed such an objective was ever on the table.
It works for what it is, but in terms of its own goals it is unsuccessful — but it still worked for me. Looking for some great streaming picks?
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Alternate Versions. Rate This. A film that excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
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Stories We Tell Critics Consensus In Stories We Tell , Sarah Polley plays with the documentary format to explore the nature of memory and storytelling, crafting a thoughtful, compelling narrative that unfolds like a mystery.
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How did you buy your ticket? View All Photos Movie Info. Through a series of revealing interviews, filmmaker Sarah Polley investigates the truth about her family history.
Sarah Polley. Dec 20, National Film Board of Canada. Michael Polley. Harry Gulkin. Sarah Polley Director. Sarah Polley Writer.
Silva Basmajian Executive Producer. Jonathan Goldsmith Original Music. Iris Ng Cinematographer.
Mike Munn Film Editor. John Buchan Casting. Jason Knight Casting. Lea Carlson Production Design. December 31, Full Review….
December 31, Rating: 3. February 28, Full Review…. December 6, Full Review…. July 31, Full Review…. April 15, Rating: 8. View All Critic Reviews Mar 29, Polley surprises us with the brave and unreserved way that she exposes her family's secrets while trying to extract a meaning from her quest, even if she doesn't seem to know exactly how to end it, going a bit longer past what should have been its conclusion.
Carlos M Super Reviewer. Dec 12, It's often said the simplest stories are often the most compelling when told the right way, and Stories We Tell is likely one of the most extraordinary films about family, love, choices and memories you'll see.
Polley delicately unspools the tapestry of her mothers life through the stories from the friends and family who knew her, capturing the revelatory emotions and reactions without any hint of sensationalism, often through captured home video footage.
It's perhaps too matter-of-fact at times, but the real treat is Polley's ability to seamlessly segue between the real and the fictional in her what she shows on screen interspersed with the memories being shared here.
Her distorting of memory and fact is so subtle and presented so absorbingly that her ability to manipulate her own personal work and still tell the story she wants becomes even more intriguing as the film progresses.
The result is a work of pure genius; deftly adhering to her own families uncertainty of Polley sharing her personal family story in this way, while still maintaining some of that mystery, as well as perhaps inadvertently making a statement on an audience's' willingness to take documentary form at face value.
It would be easy to criticise Polley's cold unravelling of the facts here, and that she uses her own family drama as a foil for a grander discussion on the morality of choices, memories, truth and lies.
But we all have stories to tell, and everyone comes away with a alternative perspective, which is what makes Stories We Tell such a fascinating journey from start to finish.
Jason S Super Reviewer. Nov 10, Quite dull, honestly. Who really cares that the mother had an affair and a child by another man which she passed off as her husband's?
I'm sure it happens every day and not really of interest to anyone except the family involved. Certainly not enthralling viewing as the subject of a documentary.
Even if it is from Sarah Polley's own life. Nicki M Super Reviewer. Oct 15, Polley takes a Rashoman-esque stance in how she portrays her family and the stories she has them tell, each sounding mostly familiar but each containing details not included in the other versions.
The result is an enamoring documentary about identity, how family shapes us, and how memory holds up over time.
It is genuinely surprising how utterly fascinating this movie is, but Polley always maintains the human element that makes this film so special, every answer she is able to get out of her family feels real and human, with members of her family proving to be honest and not afraid to hold very personal details back from the viewer.
One of the best films of Dan S Super Reviewer. See all Audience reviews. Storyteller: When you're in the middle of a story, it isn't a story at all but rather a confusion, a dark roaring, a blindness, a wreckage of shattered glass and splintered wood, like a house in a whirlwind or else a boat crushed by the icebergs or swept over the rapids, and all aboard are powerless to stop it.